C# comes to Unreal Engine

24. October 2014


On a daily basis I use dozens of different programming languages.  Some languages are certainly better than other languages at certain tasks, while other languages truly shine on certain platforms.  Some languages are more portable than others, others are more customizable while some can be faster.  All that said, when all other things are equal and I need to just pick a language, the one I go to is generally C#.  C# just strikes that right balance for me, straddling the line between low level and productivity, convenience and speed, functional and procedural, for me at least.  This news then is welcome, for me at least. :)


Xamarin, the maker’s of Mono, a cross platform open source version of the .NET runtime and framework (Perhaps most famously known as the language technology that underpins Unity)  have announced they are bringing it to Unreal Engine.  Here are some of the features and benefits of Mono for Unity:


Hot Reload


We fully support Unreal Engine's Hot Reload functionality.

This means that whenever you rebuild your C# code in Xamarin Studio, your changes are immediately reloated into the Unreal Editor. The changes are also reflected with running games in the editor, so you can quickly iterate on your design.

On fast machines, the process of rebuilding the C# code and reloading it live takes less than a second. It feel instantaneous.


Xamarin Studio

While hard core hackers are happy editing their game code with vi or emacs and have the hot reload functionality do all the work for them, we have also provided a nice integration with the MonoDevelop (and Xamarin's branded version, Xamarin Studio).

It provides a first-class IDE with rich, accurate code completion, and powerful refactoring and analysis tools.



Full support for C# debugging is included. Simply launch your game from Xamarin Studio as a standalone editor or mobile preview process, and it will connect to the runtime debug engine, giving you full access to a rich suite of abilities to inspect and debug your code.

Seamless Blueprint and Editor Integration

Your C# classes that are exposed to Unreal Engine are fully accessible from Blueprint and the Unreal Editor, just like Blueprint-accessible C++ classes.

You can continue using Blueprint for simple logic and use C# when things get more complicated.

And you can consume your C# classes from Blueprint.


Mixed C#/C++/Blueprint Solutions

The same tool that we use to generate bindings to Blueprint-exposed Unreal Engine APIs is integrated into Unreal Build Tool, and will automatically generate bindings to all of your Blueprint-exposed C++ gameplay code and engine modifications.


Native Access

In addition to the automatically generated bindings to Blueprint-exposed Unreal C++ code, the Mono runtime allows accessing any native APIs, including custom C/C++ code and the native platform API.

You can manually bind C APIs using Platform Invoke services, or use CppSharp to generate bindings to C++ APIs.


Async Programming

The Getting Started tutorial shows the low-level approach to defining behaviors, but this approach can become cumbersome when defining more complex behaviors and AI. Luckily, this task can be simplified with async programming, a C# compiler feature that rewrites what appears to be linear code into a state machine.

For more details about how this helps writing complex gameplay logic, see our overview of async programming.


API Profile

The Mono Mobile Profile is the core API profile in the support for Unreal Engine.

The Mono Mobile Profile removes a number of bloated .NET features including System.Configuration support from the Base Class Libraries. This is the same API profile used by Xamarin's Android, iOS and Mac products.

Note: The Mobile Profile is not ABI compatible with existing assemblies compiled for a different profile (like the .NET desktop, Silverlight or Windows Phone). You mustrecompile your source code to generate assemblies targeting the Mobile profile.

A full list of the assemblies in our Mobile framework profile can be found here.


Portable Class Libraries

You can use Portable Class Libraries with Xamarin's Unreal Engine support. This allows the same binary library to be shared across a wide range of platforms without code modifications.

To learn more about using Portable Class Libraries with Xamarin, read our Introduction to Portable Class Libraries document.


There are a couple limitations.  It’s based on .NET up to 4.5, with a smattering of .NET 5 features.  Well, anync, which is frankly the .NET 5 feature.  Perhaps the biggest limitation is it only has access to code from the Blueprint API.  Given that the Blueprint API has access to just about everything C++ does, this isn’t perhaps the limitation it sounds like.  If you want to make more C++ accessible to .NET you need to use CppSharp.  Additionally, Unreal AND Mono need to be available on the targeted platform, although frankly, Mono is available just about everywhere these days.  However, right now only Windows and Mac are supported, with other platforms under development.


Oh yeah, there is of course one other big side effect… money.


To redistribute code written with Mono for Unreal Engine, you must have a commercial license to the Mono runtime. These licenses are available from Xamarin for Mac, Android and iOS online, and you can request Windows licenses through support.


This of course is completely reasonable.  People make their money selling software, so obviously they have to sell their software.  That said, I’ve always found Xamarian’s licensing to be a bit awful.  There are almost unique in the development world for not offering a (real) free version for non-commercial development and this is a huge mistake IMHO.  The lack of a free edition makes open source software around their tools pretty much non-existent.  Of course you can open source work made with Xamarian tools, but good luck building a community around a commercial only development product.


That said, this is still an interesting development and one more feather in Unreal Engine’s cap.  Given that Unity is moving away from Mono and developing their own runtime, it’s not entirely shocking that Xamarin made this move.  It is somewhat ironic that the Unreal Engine .NET runtime will be substantially newer and more complete than Unity’s!

News , ,

Adventures in Phaser with TypeScript–Loading and Using Tiled Maps

22. October 2014



In this tutorial we are going to look at loading and using Tiled TMX maps.  Tiled is a free, open sourced map editor, and TMX is the file format it outputs.  You basically use it to “paint” levels using one or more spritesheets containing tiles, which you then load and use in your game.


Here is Tiled in action, creating the simple map I am going to use in this example:



By the way, I downloaded the tile graphics from here.  Additionally, you can download the generated TMX file we will be using here.


I am not going to go into detail on using the Tiled editor.  I actually covered this earlier here.  For Phaser however, just be certain you export as either JSON or CSV format and you should be good to go.


Now let’s look at some code to load the tile map.



/// <reference path="phaser.d.ts"/>
class SimpleGame {
    game: Phaser.Game;
    map: Phaser.Tilemap;
    constructor() {
        this.game = new Phaser.Game(640, 480, Phaser.AUTO, 'content', {
            create: this.create, preload:
            this.preload, render: this.render
    preload() {
        this.game.load.tilemap("ItsTheMap", "map.json", null, Phaser.Tilemap.TILED_JSON);
        this.game.load.image("Tiles", "castle_0.png");
    render() {

    create() {
        this.map = this.game.add.tilemap("ItsTheMap", 32, 32, 50, 20);
        this.map.addTilesetImage("castle_0", "Tiles");

        this.game.camera.x = this.map.layers[0].widthInPixels / 2;
        this.game.camera.y = 0;

        this.game.add.tween(this.game.camera).to({ x: 0 }, 3000).
to({ x: this.map.layers[0].widthInPixels }, 3000).loop().start(); } } window.onload = () => { var game = new SimpleGame(); };


And when you run it… assuming like me you are using Visual Studio 2013 you will probably see:



Hmmmm, that’s not good.  Is there something wrong with our tilemap?  Did we make a mistake?


Nope… welcome to the wonderful world of XHR requests.  This is a common problem you are going to encounter over and over again when dealing with loading assets from a web server.  If we jump into the debugger, we quickly get the root of the problem:




Let’s look closely at the return value in xhr.responseText:

Ohhh. it’s an IIS error message and the key line is:

The appropriate MIME map is not enabled for the Web site or application.



See, Visual Studio ships with an embedded version of IIS called IIS Express, and frankly, IIS Express doesn’t have a clue what a JSON file is.  Let’s solve that now.  If you created a new TypeScript project in Visual Studio, it should have created a web.config file for you.  If it didn’t create one and enter the following contents:

<?xml version="1.0" encoding="utf-8"?>
  For more information on how to configure your ASP.NET application, please visit
    <compilation debug="true" targetFramework="4.5" />
    <httpRuntime targetFramework="4.5" />
      <mimeMap fileExtension=".json" mimeType="application/json" />


Now the code should run without error

I should take a moment to point out that this is an entirely Visual Studio specific solution.  However, this particular problem is by no means limited to IIS Express.  I documented a very similar problem when dealing with WebStorm’s integrated Chrome plugin.  If your loadJson call fails, this is most likely the reason why!  Well that or you typo’ed it. :)


Ok, assuming everything is configured right,now we should see:



By the way, you may have to click on the to get it to start rendering.


Most of the loading code should look pretty familiar by now, Phaser is remarkably consistent in its approach.  There are a few things to be aware of though from that code.  First, the order you create layers in is important.  In Tiled I created 3 layers of tiles.  A solid background layer named “background”, a middle layer with most of the tiles in it called “midground” then a detail layer for the topmost tiles named “foreground”.  Think of rendering tiles like putting stickers on a flat surface… the front most stickers will obscure the ones that are behind them.  The same is true for tiles.  There are other options in tiled for creating foreground and background layers, but I stuck with normal tile layers for ease.  Just no that more efficient options exist.


The next thing to be aware of is when I called addTilesetImage, that is the same image filename that I provided to Tiled.  It is important that you use the same graphics files and names between Tiled and your code.  The next thing worth noticing is the call to resizeWorld() I made when loading the first tiled layer.  This simply set’s the world’s dimensions to be the same size as the tile layer you specified.  Since all the tile layers are the same size, you could have called it on any of them.  Finally, we made a simple tween that pans the camera from one end of the level to the other and back.


There is more to touch on with tiles, but I will have to cover that in later post(s).


Programming , , , ,

Guide to Creating a Game on an iPad–Raster (pixel) and Vector Art Programs

20. October 2014


Now we are going to look at available raster graphics programs available on iPad.  While this post is part of an over all series about creating a game using only an iPad, this post should be of use to anyone looking to create art in general.  The iPad ( and other tablets ) are becoming increasingly viable ways of creating art, especially 2D art.  One major reason for this is cost.  An iPad is generally cheaper than a PC/Mac + graphics tablet, but it’s software costs where this really becomes obvious.  For example, the desktop version of Photoshop ( before it went subscription ) used to cost about $800.  The tablet version of Photoshop… $10!  Another desktop/tablet example is ArtRage, which ( although vastly cheaper ) is available at $50 on Desktop, it is only $5 on iPad.  Granted, they aren’t identical products, and often the iPad version has less functionality, but I tend to find it has all the functionality I generally need.  You mileage may vary.


So we are going to take a look at some of the Raster and Vector packages available on iPad.  Raster and Pixel mean basically the same thing, although “Pixel Art” has often come to represent a very specific style, with fat chunky pixels like from the 8 and 16bit era.  We will also look at two options aimed specifically at this style.  We will also look at Vector graphics packages, which allow you to define brush strokes mathematically, making for nice scalable graphics. 


I have also done a video quickly showing each application running, so you can have a better idea what the experience is like.  I only spend a couple minutes with each, but a few minutes is often all you need to decide if something is right for you or not!  All testing was done on a iPad Air, so if your device is slower, your experience may not be as good.


This video is a quick demonstration of every application mentioned below.  You can view it directly here.



Ok, let’s jump right in:


Photoshop Touch

iTunes Link

Cost: $9.99





Be careful when it comes to the Photoshop products, Adobe have released a number of Photoshop branded iOS projects and most of them are focused on photo manipulation and most useless to you.  The version you want is Photoshop Touch.  This is the mobile version of the venerable desktop Photoshop application.  While certainly stripped from it’s desktop counterpart, it is still impressively capable.

One immediately useful feature is the allowed canvas size.  Earlier versions where limited in canvas size, while now you can successfully create a 4096x4096 texture, which is the reasonable upper limit of what you will ever want to create.  I will admit though, at this size things can get a bit sluggish at times, although the painting experience is just fine, running tools like magic wand select or applying fx can bring up a wait logo.  Speaking of which, that is two areas where Photoshop really shines compared to it’s peers.  The selection tools are great, including a magic wand, scribble selection, polygon, lasso, etc select and deselect tools.

Tools are solid but not exceptional.  Feedback is great, there is no lag even on large files.  Navigation takes a bit to get used to, but is quick once you know what you are doing.  It has a few standout tools, such as the clone and heal brushes, which are somewhat rare.  Otherwise you are left with paint, burn, smudge, spray and erase as your primary art tools.  You do however have a ton of fine control over each tool, such as brush patterns, angle, scatter, size, flow and transparency.  You have to set it up yourself, but you can emulate basically any brush type you desire.

Of less use to game art, but still occasionally valuable, Photoshop Touch has 16 built in adjustments like Black&White, Shadow/Highlight, etc.  There are also 30+ filters built in, such as Sharpen, Drop Shadow, Blur, Glass, Comic, Watercolor, Sephia, etc.  There are also an impressive number of manipulation tools tucked away in here for cropping, scaling, rotating, transforming(warping) and fairly solid text tools as well.

Where Photoshop Touch really shines is layers.  You can have several layers, either new, cloned or imported from existing media.  Layer control is solid making it easy to move layers up, down, merge and delete as well as altering the opacity.  Additionally layers can be normal, darken, multiply, lighten, overly, subtracted, etc.  Fx can be limited to an individual layer. 

While Photoshop Touch may not be the program you create your art in, it should probably be in your toolbox for the sheer amount of flexibility it gives you.  In terms of alterations and manipulation of images, it can’t really be touched.  The selection, copy/paste, import and layering tools are easily the best out of any tool I look at.

In terms of getting your work out at the end of the day, unfortunately there is no direct Dropbox integration, but that isn’t really surprising given Adobe have their own cloud storage system, Creative Cloud.  In addition to their cloud offering, you can also save to the local photo roll.  There is however a Share option, allowing you to export the file ( as JPG, PSD, PSDX or PNG ) to just about any iPad application ( including dropbox ) or to email, printers, etc.  However the process is remarkably slow and sometimes simply doesn’t work.  At the end of the day, you can get just about anything in and out of Photoshop Touch that you would expect, but it can be awfully slow at times.

I suppose it’s fair to point out, it’s actually Photoshop Touch I used to resize and export the screenshots from my iPad to my Mac while creating this post.  It’s just a handy tool to have.



Autodesk Sketchbook Pro

iTunes Link

Cost: $3.99 for Pro Tools





This product is a bit difficult for me to cover, as the version I have doesn’t actually seem to exist anymore.  At some point they moved from a premium iPad only product (Sketchbook Pro) to an freemium model, where you can download the base (Sketchbook Express), then for $3.99 unlock the premium tools.  I believe at the end of the day, they become the same product, but if there are minor differences, I apologize now.  As I am not entirely certain what is in the free vs pro edition, the below will be describing the complete purchased product.

Sketchbook is exactly what the name suggests, a virtual sketchpad.  It’s an impressive one at that.  It’s got a minimal interface that get’s out of your way ( all of the things you see in the above screenshot are brought up by pressing the circular icon.  Let go and it’s just you and your drawing. Drawing tools are pretty typical with pen, pencil, market, highlighter, erase, smudge and airbrush available, plus the ability to choose custom brushes/stamps from probably 100+ presets, including common pencil type (2H, 8B, etc) and oddly enough, so clip art.  Responsiveness while drawing is instant.  Using a quick pop up tool you are able to alter your brushes dimensions and opacity with a single touch.  One nice feature, lacking from many similar products, is the ability to draw lines and shapes, although curves didn’t seem to work.

There are a couple unique to Sketchbook features, of varying levels of usefulness.  There is a symmetry draw mode, enabling you to draw mirrored about a centre point.  You can also do time lapsed recording and collaborative sketching with someone else with their own copy of Sketchbook.  Sketchbook also has decent text creation abilities built in.  Most importantly (to me), Sketchbook also has layer support, although nowhere near that of Photoshop Touch.  Even just a single layer to enable tracing for animation is invaluable. 

You can export from your gallery directly to the local photo gallery, to iTunes, email, etc… as well as directly to Dropbox.  You can create images up to 1800x2400 in size, although the size of image limits the number of layers.  A 1800x2400 image can for example have 4 layers, while a 768x1024 image can have up to 18 layers.  The largest image you are able to create is 2830x2830.  No idea why it stops there…  Even at that size, performance remains smooth.

Sketchbook is a great product for creating sketches, the brushes are natural, performance is good and tools are complete enough to recreate most anything.  The interface is faster to navigate than Photoshop Touch, but it has a great deal less functionality, with absolutely no filters, effects, selection tools and minimal layer functionality.  For drawing however, I would take it over Photoshop Touch every day.


Art Rage

iTunes Link

Cost: $4.99





This is the most applicably named application I have ever encountered!  It’s an amazing application for creating digital art, and it is horrifically rage inspiring!  ArtRage attempts to recreate real world art process digital, and does an incredibly good job of it.  You can choose your paper type (grain), metallic-ness then go to town using tools like paint, roller, trowel, crayons, markers, pens, erasers, pencils, airbrush and a couple different paint brushes.  For each brush you can set a number of settings specific to each tool such as pressure, thinning etc.  You really can recreate a very “painterly” feel.  So why the rage?

Well that part is simple.  This application lags.  Always lags and I absolutely cannot use it for that reason.  Regardless to the complexity of your scene, your paint brush will always been a half a second behind where you are touching.  Of all the applications I looked at, this one had by far the worst performance.  If you can handle the delay while drawing, this application is certainly worth checking out, especially if you are looking for a natural media look.  I personally cannot get over the lag.

From a technical perspective, Art rage allows a maximum canvas size of 2048x2048.  It supports layers with an absolute ton of blending modes.  There is no manipulation tools for selection, transformation nor any filters or effects.  This is a painting program focused on painting and nothing more.  It however probably does the best job of recreating brushes and paper in the digital world.  It has the ability to export to Dropbox as well as save locally, but not to send to other applications on your iPad.


Bamboo Paper

iTunes Link

Cost: Free for Base + up to $3.99 to add tools





Made by Wacom, famous for the titular Bamboo tablets.  The free version ships with a pen, then for 99 cents each, or $3.99 for all, you can add tools such as Brush, Crayon, Pencil etc.  It’s got a slick package, good export support (including Dropbox) and does feel like working in a notebook.

That said, it’s simply too limited to be used for much more than sketching.  Lack of layer support, minimal dimension options, no selection tools, filters or advanced brushes.




iTunes Link

Cost: Free then up to $6.99 for all tools




Paper is a somewhat famous application, as it has been used in Apple promotional materials.  It is also incredibly basic, basically just trying to mimic the drawing on paper experience.  As you can see from the screenshot above, I only have the free version installed.  For up to $6.99 you can add other art tools like a pencil, marker, paint brush, colour mixer, etc.  Export abilities are limited to save to camera roll and send to app.

The drawing is nice and natural, but it’s too limited to be of much use for game development.  Additionally, it’s price is hard justified compared to similar applications.  Can’t really recommend paper other than for sketching if the minimal interface floats your boat.



iTunes Link

Cost: Free to start, up to $4.99 for all tools, plus text and layers





Sketches is very similar to Paper and  Bamboo Paper, in that it emulates a classic sketchbook.  However the major exception is, with the premium purchase of $4.99 you gain among other things, layer support.  Additionally the free version includes a complete set of tools, but limits the customizability of each.  It contains all of the same tools as the previous two applications.  The interface can be minimized by swiping aside panels.  Navigation is multitouch based and to be honest is confusing as hell until you get used to it.

You are able to export to a number of formats, including Dropbox.  You can select from a number of paper types, but unfortunately have very little control of resolution of the image, maxing out at that of a Retina iPad.

Of all the sketch based drawing applications, this one was easily my favourite, even with it’s somewhat unnatural navigation interface. 



iTunes Link

Cost: Free to $6.99 for full toolset





Of all the applications I’ve covered yet, Concepts is probably the most unique, and in some ways, the most powerful.  Designed for creating sketches for concept art, it comes with several tools you haven’t seen yet.  For example, there is a tool for tracing lines and arcs.  There are snapping tools for snapping to the grid.  Speaking of which, the grid can be turned off, on, and set to a number of different densities and formats, including isometric, which can be invaluable if that is the art style you are going for.  There is full layering support, but they are intended for organization/tracing/layering and not artistic effects.  Beyond transparency, there are no blending options for layers.

Artistic tools are somewhat limited to pens, pencils and markers.  More natural art style would be hard to achieve in this program as a result.  That said, the color system is amazing and emulates COPIC markers, allowing you to create pretty much the same tools that concept artists use.

For precision works, this is hands down the best choice out there.  For drawing striaght edges, lines and curves, only the next option comes close.  For more painterly effects, this is a poor choice.  There is no filter or fx support.  Export support is robust, and actually capable of exporting to DXF ( Autocad ), SVG ( Vector ) and PSD formats.  You can also export as an image to the local camera roll, as well as export to Dropbox and others ( including somewhat shockingly, Adobe’s Creative Cloud ).

If you are doing concept art, or going for a technical look, this is hands down your best choice.



Adobe Illustrator Draw

iTunes Link

Cost: Free!




Adobe make a number of products of a very similar nature, Adobe Ideas, Adobe Lines and Adobe Sketch.  Adobe Draw however ties together the best of each of them and has some very interesting abilities.  By far and away the most important feature is the ability to use an angle or french curve ( like shown above ) to draw straight lines and curves.  The actual drawing features are somewhat limited, mostly pen/pencil style drawing implements.  You can control the brush tip size, colour and opacity and that’s it. There is layer support buts it’s tied to each tool somewhat oddly.  The response is quick, the interface is nice and clean and though limited, the brushes are different enough to be useful.

All that said, this application is free.  It’s good and it’s free.  In some ways the drawing tools are amongst the best available.  The angle/french curve functionality is exceedingly well implemented, much better than the curve support in Concepts, which is the only other program that offers similar functionality.  Export functionality is fairly traditional, you can save to the local camera roll, upload to creative cloud and hit the standard share with targets, including Dropbox.  Unfortunately it seems you have little (no?) control over the canvas size.

I don’t really understand the business model here, but free is a wonderful price.  Be sure to check this one out.




iTunes Link

Cost: Free *for a limited time, seemingly forever





I will be honest, I had a great deal of trouble navigating my way around this application.  Even saving a file was somewhat perplexing.  In many ways it has an interface like many desktop art packages like GIMP or Paintshop.  That interface doesn’t necessarily work on a touch device.

There is actually a LOT of functionality packed in here, more so than most of the packages listed here, except perhaps Photoshop Touch. There is full layering support, but limited to 3 layers ( I think, who knows whats behind that interface that I couldn’t figure out! ), and all kinds of blending functionality between layers.  Art tools are somewhat limited.  I think everything you need is in here, but accessing it is somewhat of a trick.

That said, it’s listed as free for a limited time, and that was over a year ago.  It doesn’t seem like this application is still being developed, so it’s a completely free option.  For that reason alone you should check it out, the interface might click for you better than it did me.  If nothing else, the price is right!



Pixel Art Packages


Sprite Something

iTunes Link

Cost: $4.99





This application is unique in the list as it is specifically aimed at low resolution ( 8/16bit ) pixel art.  At it’s core it’s a fat bit grid editor.  You draw pixel by pixel, although it does have some handy tools like fill, line drawing, etc. There is also layering ability, but there is no blending between layers, it’s literally just stacked pixels. You work in a massively zoomed in window, but you can preview the end result as you work.  There are also tools for doing frame by frame animation sequences, including onion skinning functionality.  This part of the interface can be a bit clunky.

One very unique thing about sprite something is, it has a simple level editor built in as well.  See the video for more details.  Export is limited to email and local camera roll.  If you are working in fat bit pixel style, this is your best ( and almost only ) option. 



iTunes Link

Cost: $9.99





I’m just mentioning this one for thoroughness.  If you are reading this as part of the overarching iPad game creation tutorial, there is a simple pixel art example “Spritely” built into Codea.  Its another fat bit grid editor for pixel art.  It’s very simple but may be enough for you if you have simple requirements.

Obviously not recommended to non-Codea users.


Vector Graphics Packages


Vector graphics applications work a bit differently than raster packages we described above ( except perhaps Concepts which is a cross between Raster and Vector graphics ).  Raster applications work on a pixel by pixel basis.  Vector graphics on the other hand work on mathematic formulas representing each brush stroke.  This gives you a bit less fine control over the end results, but allows you to scale up or down to any graphic resolution you want.



iTunes Link

Cost: Free and Open Source




Completely free and open source, Inkpad is a powerful vector graphics package.  If you’ve ever used Inkscape on a PC, you know what you are in for.  You draw using paths, manipulate curves either straight line or bezier for curved edges and using simple geographic shapes, build, color and layer them to create more complex images. 

Inkpad has full layer support, although they don’t really effect each other like in raster packages.  You can however bring in a standard graphic as a background or to trace over.  Inkscape supports saving as an image locally or exporting as PDF or SVG.

Once again, it’s completely free.  Free is nice.



iTunes Link

Cost: $8.99





iDraw has one of those iNames iAbsolutely iHate, but don’t judge the package by it’s name.  I absolutely love this package and strongly recommend it to anybody reading this that wants to work with vector graphics.  This application works very similar to Inkpad, except with more functionality, more polish and a higher price tag.  I have struggled in the past with vector graphics applications such as Inkscape ( unwieldy ) and Illustrator ( overwhelming ) and iDraw is the first one that just “clicked” for me.  Once again, the basic concept remains the same, you draw shapes using lines (paths), fill those paths with colors or gradiants, and layer them to make more complex shapes.  One major difference between this and Inkpad is the free form drawing tools, that allow you to use it much more similar to a traditional drawing package.

iDraw is also available as a complete application on Mac and files are interchangeable.  This page has full layer support and is capable of saving directly to Dropbox.  Files can be exported as iDraw, PDF ( very very very useful with Codea as we will soon see ), SVG, PSD, PNG and JPEG, with resolutions of 72, 144 or 300dpi.





This is only a small subset of graphics packages available on iPad, but does represent a large cross section of them, as well as featuring most of the “big names”.


Myself, if I were to only be able to keep a couple applications, my personal choices would be:

  • Photoshop Touch — for image manipulation, modification, effects and some creation
  • iDraw — Vector graphics made easy
  • Adobe Draw — Great sketching app, excellent line and curve support, completely free
  • Sketches — Most versatile drawing app with different brushes like watercolour, paint, etc
  • Concepts — Perfect for technical drawings, similar to Adobe Draw but much more technical, Copic integration
If I had absolutely no budget available, I would most certainly recommend people download:
  • Sketches — For all your sketching needs, I’d pay for it, so free is awesome
  • Inkpad — Powerful vector graphics, completely free
  • Inkist — The interface is rather awful, but it gives you a lot of editing functionality, completely free
All told, that represents under 20$ worth of purchases and provides a level of power way taken together that exceeds any desktop application at many times the price.  Even for a total spend of $0, you can end up with a remarkably complete 2D art package.

Art , ,

Syntax highlighting the code in your clipboard

17. October 2014


Some months back here on Gamefromscratch.com we switched to using a product called Highlight for all our syntax highlighting needs.  It has worked out pretty well with one major exception.  On the Mac, there is no GUI interface. 


My typical workflow is:

Copy whatever code example I want to share to clipboard.

Paste into Highlight app.

Select language.

Select paste back to clipboard.

Paste into blogging software.


As you may be able to guess I do A LOT of code samples.  You generally only see all the end results, not all the screw ups and revisions I make on my end.  Simply put, this is an operation I perform daily and any time savings would certainly be felt.  On the Mac however, there is only a command line interface, making the process a bit more annoying. 


For Mac syntax highlighting the workflow went:

Copy the code I want into a temporary text file.

Look up the command for highlight, convert convert the temp file into a different temp file.

Open the temp file up in a RTF friendly reader like Word.

Paste the code example over to my blog software.


As you may be able to guess, this process is a heck of a lot slower, so generally I just stick to windows when doing code highlighting work, even when developing on a Mac, I do the blog post editing on Windows.  Not a great solution.


Turns out, well, I’m a bit of an idiot.  Now all I do is open a terminal and type:

pbpaste|highlight --syntax cpp -O rtf|pbcopy


And done!


The above line will paste the contents of the clipboard to stdout, highlight in turn reads STDIN then marks it up as cpp in RTF format and dumps it back to standard out, which then get’s piped back to the clipboard.


This one line of script would literally have saved me dozens of hours.


Now I need to figure out how to do the same thing from a Command Prompt on Windows.  I don’t have access to a Windows laptop currently, but I imagine it might be possible using clip.exe.  Otherwise I have no doubt I can pull it off with powershell.


So, if you ever find yourself with a clipboard full of source code you want to syntax highlight, this is the fastest way I’ve found yet.


Ok… now back to the regularly scheduled broadcast!

A closer look at the Urho3D Game Engine

16. October 2014


GameFromScratch has a long running “A closer look at” series of articles that take a deep dive into a particular game engine.  Hopefully by the end, you the reader will have an idea if this engine is the right fit for you or not.logo


Today we are looking at the Urho3D engine, a game engine that somehow flew below my radar for a very long time.  It started life as Bofh3D but apparently was renamed after a tyrannical fish king ( seriously… and thus the fish in the logo to your right! ) According to Google Translate, Urho is Finnish for “Brave”, while 3D… I hope you know that one by this point!  The 3D is a bit of a misnomer though, as like many modern 3D engines, there is a 2D component as well, so you can just as easily make 2D games if that’s what you want to do.


Let’s start straight away with their own description:


Urho3D is a lightweight, cross-platform 2D and 3D game engine implemented in C++ and released under the MIT license. Greatly inspired by OGRE and Horde3D.



  • Direct3D9 or OpenGL rendering (Shader Model 2, OpenGL 2.0 or OpenGL ES 2.0 required as minimum)
  • HLSL or GLSL shaders + caching of HLSL bytecode
  • Configurable rendering pipeline. Default implementations for forward, light pre-pass and deferred rendering
  • Component based scene model
  • Skeletal (with hardware skinning), vertex morph and node animation
  • Automatic instancing on SM3 capable hardware
  • Point, spot and directional lights
  • Shadow mapping for all light types; cascaded shadow maps for directional lights
  • Particle rendering
  • Geomipmapped terrain
  • Static and skinned decals
  • Auxiliary view rendering (reflections etc.)
  • Geometry, material & animation LOD
  • Software rasterized occlusion culling
  • Post-processing
  • HDR renderingv1.31
  • 2D sprites and particles that integrate into the 3D scenev1.31
  • Task-based multithreading
  • Hierarchical performance profiler
  • Scene and object load/save in binary and XML format
  • Keyframe animation of object attributesnew
  • Background loading of resourcesnew
  • Keyboard, mouse, joystick and touch input (if available)
  • Cross-platform support using SDL 2.0 (currently runs on Windows, Linux, Mac OS X, Android, iOS, and Raspberry Piv1.3)
  • Physics using Bullet
  • 2D physics using Box2Dnew
  • Scripting using AngelScript
  • Alternative script interface using Luav1.3 or LuaJITv1.31 (on Windows, Linux, Mac OS X, Android, and Raspberry Pi)
  • Networking using kNet + possibility to make HTTP requestsv1.3
  • Pathfinding using Recast/Detourv1.23
  • Image loading using stb_image + DDS / KTX / PVR compressed texture support
  • 2D and “3D” audio playback, Ogg Vorbis support using stb_vorbis + WAV format support
  • TrueType font rendering using FreeType, AngelCode bitmap fonts are also supported
  • Unicode string support
  • Inbuilt UI system
  • Scene editor and UI-layout editor implemented in script with undo & redo capabilities
  • Model/scene/animation/material import from formats supported by Open Asset Import Library
  • Alternative model/animation import from OGRE mesh.xml and skeleton.xml files
  • Supported build tools and IDEs: Visual Studio, Xcode, Eclipse, CodeBlocks, GCC, LLVM/Clang, MinGW-W64
  • Supports both 32-bit and 64-bitv1.3 build
  • Build as single external libraryv1.3 (can be linked against statically or dynamically)


The line greatly inspired by Ogre3D seems incredibly accurate to me.  On my initial explorations, that is what it most reminded me of, and that is certainly not an insult.  My nutshell description of Urho3D is:


A cross platform, open source, C++ based, Lua and AngelScript scripted game engine that runs on Windows, Mac and Linux and can target all those plus iOS, Android and Raspberry Pi.


So the question remains, what’s the developer experience like?  Well, let’s find out!


The Source Code


Being open source, Urho3D is available on Github.



I only took a quick browse through the actual code but from what I saw, it’s clean and well written in a modern C++ style.  The project is laid out intuitively, the engine and platforms nicely decoupled and things are pretty much where you would expect them to be.  The code is fairly sparsely commented, but the things that need to be commented, are.  We will touch on the documentation a bit later on.


Getting Started


Getting started is pretty simple.  Download the source code archive, extract it and use CMake to build the project files for your platform of choice.  I was up and running in a matter of minutes, however I already had all of the required development tools installed and configured.  If you’ve never used CMake before you may be in for a bit of a fight and if something goes wrong, CMake starts to feel strangely like black magic.  For me though, it mostly just worked.  A warning though, download the master branch!  The version linked of their main page is outdated to the point that the documentation doesn’t actually work.  They really should update the official release version so that it matches their getting started manual!


Once unzipped, Urho3D looks something like this:



Simply run the sh or bat file appropriate to your platform and you are good to go.  One thing to be aware of up front, Urho3D has samples in both AngelScript and C++, but by default the C++ projects aren’t created by cmake.  If you want them, when calling the script, add –DURHO3D_SAMPLES=1.  Additionally, Lua support isn’t added out of the box, if you want Lua support as –DURHO3D_LUA=1.


So for example, to get started on Windows using Visual Studio 2013, with Lua and C++ sample support, run:

cmake_vs2013.bat –DURHO3D_SAMPLES=1 –DURHO3D_LUA=1

Now if you go into the Build directory, you will see Visual Studio ( or XCode, or Makefile, whatever you chose ) projects.




Simply open Urho3D.sln in Visual Studio and you are done.


Samples Samples and More Samples


This is one area where Urho3D is well represented.  There are a number of included samples, written in both AngelScript and C++.  Here they are:




For C++, each sample is a project within your solution.  In the case of AngelScript however, each is simply a script file to be run.  Once you’ve built the Engine, you should have a tool named Urho3DPlayer ( or Urho3DPlayer_d if you built for debug ).  This is a command line utility, simply run it and pass in the path to a script to run.  The scripts are located under the Bin folder in the directory /Data/Scripts.



They are the sample examples as the C++, except of course implemented as AngelScript.

From the command line, in the bin folder, running:

Urho3DPlayer Data\Scripts\11_Physics.as

Will then load and run the script:



It’s worth noting, I also used the –w switch to run the player in Windowed mode so I could take a screen shot.  Hit ESC to exit.  Oh and Urho3D has annoying behavior of grabbing your mouse cursor, don’t worry when you lose your mouse cursor ( even Windowed ), exit with ESC or alt-tab away and you get your cursor back.  I hate really hate when windowed applications take complete control of my mouse!


The code in the samples is well documented, and they cover a wide variety of topics.  This is most likely going to be your primary learning source for getting up to speed quick.


To get an idea of a Urho3D application’s structure, let’s take a look at one of the samples, 03_Sprites.  When run, it will do this (except in motion that is):




Now let’s take a look at the corresponding AngelScript and C++ sources.




// Moving sprites example.
// This sample demonstrates:
//     - Adding Sprite elements to the UI
//     - Storing custom data (sprite velocity) inside UI elements
//     - Handling frame update events in which the sprites are moved

#include "Scripts/Utilities/Sample.as"

// Number of sprites to draw
const uint NUM_SPRITES = 100;

Array<Sprite@> sprites;

void Start()
    // Execute the common startup for samples

    // Create the sprites to the user interface

    // Hook up to the frame update events

void CreateSprites()
    // Get rendering window size as floats
    float width = graphics.width;
    float height = graphics.height;

    // Get the Urho3D fish texture
    Texture2D@ decalTex = cache.GetResource("Texture2D", "Textures/UrhoDecal.dds");

    for (uint i = 0; i < NUM_SPRITES; ++i)
        // Create a new sprite, set it to use the texture
        Sprite@ sprite = Sprite();
        sprite.texture = decalTex;

        // The UI root element is as big as the rendering window, set random position within it
        sprite.position = Vector2(Random() * width, Random() * height);

        // Set sprite size & hotspot in its center
        sprite.size = IntVector2(128, 128);
        sprite.hotSpot = IntVector2(64, 64);

        // Set random rotation in degrees and random scale
        sprite.rotation = Random() * 360.0f;
        sprite.SetScale(Random(1.0f) + 0.5f);

        // Set random color and additive blending mode
        sprite.color = Color(Random(0.5f) + 0.5f, Random(0.5f) + 0.5f, Random(0.5f) + 0.5f);
        sprite.blendMode = BLEND_ADD;

        // Add as a child of the root UI element

        // Store sprite's velocity as a custom variable
        sprite.vars["Velocity"] = Vector2(Random(200.0f) - 100.0f, Random(200.0f) - 100.0f);

        // Store sprites to our own container for easy movement update iteration

void MoveSprites(float timeStep)
    float width = graphics.width;
    float height = graphics.height;

    // Go through all sprites
    for (uint i = 0; i < sprites.length; ++i)
        Sprite@ sprite = sprites[i];

        // Rotate
        float newRot = sprite.rotation + timeStep * 30.0f;
        sprite.rotation = newRot;

        // Move, wrap around rendering window edges
        Vector2 newPos = sprite.position + sprite.vars["Velocity"].GetVector2() * timeStep;
        if (newPos.x < 0.0f)
            newPos.x += width;
        if (newPos.x >= width)
            newPos.x -= width;
        if (newPos.y < 0.0f)
            newPos.y += height;
        if (newPos.y >= height)
            newPos.y -= height;
        sprite.position = newPos;

void SubscribeToEvents()
    // Subscribe HandleUpdate() function for processing update events
    SubscribeToEvent("Update", "HandleUpdate");

void HandleUpdate(StringHash eventType, VariantMap& eventData)
    // Take the frame time step, which is stored as a float
    float timeStep = eventData["TimeStep"].GetFloat();

    // Move sprites, scale movement with time step

// Create XML patch instructions for screen joystick layout specific to this sample app
String patchInstructions =
        "<patch>" +
        "    <add sel=\"/element/element[./attribute[@name='Name' and @value='Hat0']]\">" +
        "        <attribute name=\"Is Visible\" value=\"false\" />" +
        "    </add>" +


And now the C++ versions:


#pragma once

#include "Sample.h"

/// Moving sprites example.
/// This sample demonstrates:
///     - Adding Sprite elements to the UI
///     - Storing custom data (sprite velocity) inside UI elements
///     - Handling frame update events in which the sprites are moved
class Sprites : public Sample
    // Enable type information.

    /// Construct.
    Sprites(Context* context);

    /// Setup after engine initialization and before running the main loop.
    virtual void Start();

    /// Return XML patch instructions for screen joystick layout for a specific sample app, if any.
    virtual String GetScreenJoystickPatchString() const { return
        "    <add sel=\"/element/element[./attribute[@name='Name' and @value='Hat0']]\">"
        "        <attribute name=\"Is Visible\" value=\"false\" />"
        "    </add>"

    /// Construct the sprites.
    void CreateSprites();
    /// Move the sprites using the delta time step given.
    void MoveSprites(float timeStep);
    /// Subscribe to application-wide logic update events.
    void SubscribeToEvents();
    /// Handle the logic update event.
    void HandleUpdate(StringHash eventType, VariantMap& eventData);

    /// Vector to store the sprites for iterating through them.
    Vector<SharedPtr<Sprite> > sprites_;



#include "CoreEvents.h"
#include "Engine.h"
#include "Graphics.h"
#include "ResourceCache.h"
#include "Sprite.h"
#include "Texture2D.h"
#include "UI.h"

#include "Sprites.h"

#include "DebugNew.h"

// Number of sprites to draw
static const unsigned NUM_SPRITES = 100;

// Custom variable identifier for storing sprite velocity within the UI element
static const StringHash VAR_VELOCITY("Velocity");


Sprites::Sprites(Context* context) :

void Sprites::Start()
    // Execute base class startup

    // Create the sprites to the user interface

    // Hook up to the frame update events

void Sprites::CreateSprites()
    ResourceCache* cache = GetSubsystem<ResourceCache>();
    Graphics* graphics = GetSubsystem<Graphics>();
    UI* ui = GetSubsystem<UI>();

    // Get rendering window size as floats
    float width = (float)graphics->GetWidth();
    float height = (float)graphics->GetHeight();

    // Get the Urho3D fish texture
    Texture2D* decalTex = cache->GetResource<Texture2D>("Textures/UrhoDecal.dds");

    for (unsigned i = 0; i < NUM_SPRITES; ++i)
        // Create a new sprite, set it to use the texture
        SharedPtr<Sprite> sprite(new Sprite(context_));

        // The UI root element is as big as the rendering window, set random position within it
        sprite->SetPosition(Vector2(Random() * width, Random() * height));

        // Set sprite size & hotspot in its center
        sprite->SetSize(IntVector2(128, 128));
        sprite->SetHotSpot(IntVector2(64, 64));

        // Set random rotation in degrees and random scale
        sprite->SetRotation(Random() * 360.0f);
        sprite->SetScale(Random(1.0f) + 0.5f);

        // Set random color and additive blending mode
        sprite->SetColor(Color(Random(0.5f) + 0.5f, Random(0.5f) + 0.5f, Random(0.5f) + 0.5f));

        // Add as a child of the root UI element

        // Store sprite's velocity as a custom variable
        sprite->SetVar(VAR_VELOCITY, Vector2(Random(200.0f) - 100.0f, Random(200.0f) - 100.0f));

        // Store sprites to our own container for easy movement update iteration

void Sprites::MoveSprites(float timeStep)
    Graphics* graphics = GetSubsystem<Graphics>();
    float width = (float)graphics->GetWidth();
    float height = (float)graphics->GetHeight();

    // Go through all sprites
    for (unsigned i = 0; i < sprites_.Size(); ++i)
        Sprite* sprite = sprites_[i];

        // Rotate
        float newRot = sprite->GetRotation() + timeStep * 30.0f;
        // Move, wrap around rendering window edges
        Vector2 newPos = sprite->GetPosition() + sprite->GetVar(VAR_VELOCITY).GetVector2() * timeStep;
        if (newPos.x_ < 0.0f)
            newPos.x_ += width;
        if (newPos.x_ >= width)
            newPos.x_ -= width;
        if (newPos.y_ < 0.0f)
            newPos.y_ += height;
        if (newPos.y_ >= height)
            newPos.y_ -= height;

void Sprites::SubscribeToEvents()
    // Subscribe HandleUpdate() function for processing update events
    SubscribeToEvent(E_UPDATE, HANDLER(Sprites, HandleUpdate));

void Sprites::HandleUpdate(StringHash eventType, VariantMap& eventData)
    using namespace Update;

    // Take the frame time step, which is stored as a float
    float timeStep = eventData[P_TIMESTEP].GetFloat();
    // Move sprites, scale movement with time step


EDIT: And the Lua example as well:


-- Moving sprites example.
-- This sample demonstrates:
--     - Adding Sprite elements to the UI
--     - Storing custom data (sprite velocity) inside UI elements
--     - Handling frame update events in which the sprites are moved

require "LuaScripts/Utilities/Sample"

local numSprites = 100
local sprites = {}

-- Custom variable identifier for storing sprite velocity within the UI element
local VAR_VELOCITY = StringHash("Velocity")

function Start()
    -- Execute the common startup for samples

    -- Create the sprites to the user interface

    -- Hook up to the frame update events

function CreateSprites()
    local decalTex = cache:GetResource("Texture2D", "Textures/UrhoDecal.dds")

    local width = graphics.width
    local height = graphics.height

    for i = 1, numSprites do
        -- Create a new sprite, set it to use the texture
        local sprite = Sprite:new()
        sprite.texture = decalTex

        -- The UI root element is as big as the rendering window, set random position within it
        sprite.position = Vector2(Random(width), Random(height))

        -- Set sprite size & hotspot in its center
        sprite:SetSize(128, 128)
        sprite.hotSpot = IntVector2(64, 64)

        -- Set random rotation in degrees and random scale
        sprite.rotation = Random(360.0)
        sprite.scale = Vector2(1.0, 1.0) * (Random(1.0) + 0.5)

        -- Set random color and additive blending mode
        sprite:SetColor(Color(Random(0.5) + 0.5, Random(0.5) + 0.5, Random(0.5) + 0.5, 1.0))
        sprite.blendMode = BLEND_ADD

        -- Add as a child of the root UI element

        -- Store sprite's velocity as a custom variable
        sprite:SetVar(VAR_VELOCITY, Variant(Vector2(Random(200.0) - 100.0, Random(200.0) - 100.0)))

        table.insert(sprites, sprite)

function SubscribeToEvents()
    -- Subscribe HandleUpdate() function for processing update events
    SubscribeToEvent("Update", "HandleUpdate")

function MoveSprites(timeStep)
    local width = graphics.width
    local height = graphics.height

    for i = 1, numSprites do
        local sprite = sprites[i]
        sprite.rotation = sprite.rotation + timeStep * 30

        local newPos = sprite.position
        newPos = newPos + sprite:GetVar(VAR_VELOCITY):GetVector2() * timeStep

        if newPos.x >= width then
            newPos.x = newPos.x - width
        elseif newPos.x < 0 then
            newPos.x = newPos.x + width
        if newPos.y >= height then
            newPos.y = newPos.y - height
        elseif newPos.y < 0 then
            newPos.y = newPos.y + height
        sprite.position = newPos

function HandleUpdate(eventType, eventData)
    local timeStep = eventData:GetFloat("TimeStep")


-- Create XML patch instructions for screen joystick layout specific to this sample app
function GetScreenJoystickPatchString()
        "<patch>" ..
        "    <add sel=\"/element/element[./attribute[@name='Name' and @value='Hat0']]\">" ..
        "        <attribute name=\"Is Visible\" value=\"false\" />" ..
        "    </add>" ..


As you can see, the code is clean enough and well enough documented to learn from. Unfortunately there aren't equivalent Lua examples right now.

EDIT: Ok, my bad.  Fortunately there are in fact Lua examples as well!  They were just very well hidden in the /Bin/Data/LuaScript folder.


Hello World


Urho3D commits a common sin and one that drives me absolutely nuts with game engines.  It’s Hello World, in fact, all of it’s C++ examples are built over a “Sample” class.  This means when the reader wants to start from scratch on their own project, they have to tear through the base class to figure out what goes into a core application.  I get why they do this, so they can focus on the feature they want to show, but at least one example should be as complete as possible with no underlying class to build on.  Fortunately I have done this for you.  The following is basically the “minimum usable” Urho3D application:



#pragma once

#include "Application.h"

using namespace Urho3D;

class TestMain : public Urho3D::Application {


   virtual void Setup();
   virtual void Start();
   virtual void Stop() {}

   void onKeyDown(StringHash,  VariantMap&);




#include "TestMain.h"
#include "Engine.h"
#include "Graphics.h"
#include "Input.h"
#include "InputEvents.h"
#include "ResourceCache.h"
#include "UI.h"
#include "Font.h"
#include "Text.h"

using namespace Urho3D;


TestMain::TestMain(Urho3D::Context* context) : Application(context){

void TestMain::Setup(){
   engineParameters_["FullScreen"] = false;

void TestMain::Start(){
   SubscribeToEvent(E_KEYDOWN, HANDLER(TestMain,onKeyDown));

   SharedPtr<Text> text(new Text(context_));
   text->SetText("Hello Cruel World!");
   text->SetFont(GetSubsystem<ResourceCache>()->GetResource<Font>("Fonts/BlueHighway.ttf"), 42);


void TestMain::onKeyDown(StringHash event, VariantMap& data){


It creates a windowed Hello World application, displays the text “Hello Cruel World” in white, centered to the screen and waits for any key to be pressed before exiting.

While basic, it should give you some idea how Urho3D works.  There are times, like when trying to figure out parameters engineParameters takes that you really wish for better reference documentation, but it was fairly simple to get things up and running.  I did have a bit of a struggle with life cycle, when I tried to put more logic into Setup() instead of Start() but otherwise things mostly worked how I expected.   Speaking of documentation…


The Documentation


So what’s the documentation like?  It’s split in to two parts, the documentation that has been written covering the various aspects, tasks and systems in Urho3D.  There is also an auto generated class reference. You can read the documentation here.


As you can see, most of the major systems are covered:



The documentation is well written in clear English, and for the most part covers what you would expect it to.  For an open source project I have to say, the overall documentation level is very good.  The only area I was somewhat let down by was the reference material.


There is an automatically generated class reference available:


But the details are pretty sparse:



So, for example, if you are hunting down say… what audio formats are supported, this information can be a bit hard to find and may result in you having to jump into the source code.  I do wish there was more implementation specific details in the reference materials.


Perhaps I am nit picking at this point…  working so much in Java lately, JavaDoc has really spoiled me.


In summary, the documentation is solid, great in fact for an open source project.  I would however appreciate more detail in the reference material.




Part of what makes an engine and engine is the tooling it supports.  Urho3D is no exception.  We already mentioned Urho3DPlayer, but there are several other tools, one of which is actually run in the player.  There is a full blown 3D level editor:



The editor enables you to create and edit several node types:



And provides context appropriate property editing:



It’s not going to win any beauty pageants, but it is a full functioning 3D world editor written entirely in AngelScript.  So if it doesn’t have functionality you want, simply add it.  The code is all available in the Bin\Data\Scripts\Editor folder:



With full code access, you should easily be able to extend the editor to fit whatever type of game you are looking at creating.


In addition to the editor, there are a number of other tools.  There is AssetImporter from the Assimp project, for importing 3D assets.  There is also a tool for importing Ogre3D assets.  PackageTool, for pulling your assets all together, a shader compiler, lightmap generator and more.




Urho3D is an impressive, well documented, cross platform game engine with clean accessible code and a ton of examples.  There are of course some negatives too.  The tools aren’t nearly as polished as you see in many commercial engines, the reference material could be a bit more extensive and the community isn’t huge.  I can’t speak to performance as I never dove in that deeply.  Is it worth checking out for your own game project?  Well, if control and open source are important to you and you like C++, AngelScript and/or Lua, I would most certainly give it a look. 


What do you think, does Urdo3D look interesting to you?  Would you like to see more in depth tutorials from GameFromScratch.com?  Let me know!

Programming , ,

Blender 2.62 released today

Blender 2.62 released today

16. February 2012


Blender 2.62 was released today.  The 2.6 series of releases is all about adding in the variousbl branches that have been in development recently and this one is no exception.  Key new features include:


  • UV Tools, a number of new features have been added including an interactive stitch tool, sub-division surface aware UV unwrapping and a sculpting tool for selecting and tweaking UVs
  • Boolean library now using “Carve” library which should be faster, more stable with better overall results.  To the end user, other then improved results, there should be little difference to the existing interface
  • Cycles render engine ( render via GPU ) has had a number of new features including render layers/passes, multiGPU rendering and more
  • Object tracking support has been added
  • Remesh modifier, creates a new topology based on an input surface.  If I am honest, I’m not really sure what purpose you would use it for
  • Many bug fixes and other new features


For full details, you can go here with the bug fixes listed here.  To download the newest release head on over here. Have some patience though, as always with every new release days, their servers are getting hammered.



The next release (in April) is the one I am really waiting for, as it’s the one that finally adds BMesh support!  There is also a new team focusing on improving COLLADA support.  The future is looking extremely good!


Nice work Blender team, keep ‘em coming!

Art, News

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