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7. March 2016


The venerable RPGMaker just released version 1.1 of RPGMaker MV.  RPGMaker is a game engine specifically designed for creation roleplaying games, specifically JRPGs.  To go along with the release they are also offering RPGMaker at a 30% discount on Steam.


Features of this new release include:

Fixed Issues

  • Fixed Paste Last Bug in the Animation Editor.
  • Fixed Canvas Mode: Change Parallax Bug.
  • Fixed Faceset Distortion when changing resolution.
  • Fixed Battle Crash when the Damage Formula Box is empty.
  • Fixed Monitor FPS Issue.
  • Fixed Movement Route changes are saved even when cancelled.
  • Fixed an issue that caused: If you have any changes in Plugin Manager and directly close the windows in the title bar (not by Cancel/Esc), the changes will be committed.
  • Fixed Pixi Add/Multiply/Screen commands in WebGL mode! 
  • Fixed States removed when failing to escape battle
  • Fixed Scroll Bar in Show Text when Batch Entry is checked
  • Fixed the position of index in ImageSelector.
  • Fixed Save deleting bug when a game fails to save (now uses a backup and restore system)
  • Fixed Actors set to auto battle will only heal the first actor in the party
  • Fixed Remember Command selects the wrong skill
  • Fixed Autotiles don't function the same as RMVXAce.
  • Fixed Sideview Battler Bug: Guard Pose
  • Fixed an issue that caused database JSON files (specifically Actor.json) to not automatically update when some changes are made (specifically Equipment Types)

Implemented Features

  • Implemented Onion Skin in Animation Editor.
  • Implemented Plugin Help Everywhere. 
  • Re-implemented RPG Maker 2003's Class change option: Keep Level feature.
  • Implemented Message Box and Plugin Parameters IconSet Viewer.
  • Implemented Confirmation Dialogue on Event, Database and Plugin Manager Cancel
  • Reimplemented the Resource Manager
  • Implemented Return Home/End Buttons in RMMV for navigating event pages
  • Implemented a tool to remove unused resource from a project
  • Additional Generator Parts
  • Additional Plugins: Slotmachine, TouchUI, Gachabook, Gacha and NovelMessage
  • Resources compressed

GameDev News

7. March 2016


Today FMod had a pair of announcements.  If you’ve never heard of it, FMod is probably the preeminent make of audio middleware for game development. The first announcement was the release of FMod Studio 1.08, an audio creation tool compatible with many major game engines.  The new version adds PlayStation VR support, new asset management workflow, Dolby Atmos support and more. As part of the same announcement, they also announced, a cloud based repository of audio sound effects.  Probably the most impressive part is, the audio files all have the same price... 99 cents.  Essentially FMod is aiming to become the TurboSquid of the audio world providing a one stop shop for sound effects.  They have also announced that music is going to be added to the service in the near future.  There is a promotion right now where your 50 first sounds are free to download.


A couple obvious questions that remain are:

  • how many sound effects are there?
  • what’s the license?

Well, as to how many, they claim a library of over 500,000 sounds, which is a pretty solid amount!  Granted, this is all pretty meaningless if the license sucks... so, what can you do with the sounds you buy?  Well according to the page:

What can I do with sounds I buy on

The sounds you buy are yours to reuse as many times as you like and in any kind of project (not just games). You just can’t give away or resell the individual sounds.

So basically you can use them again and again across different project, commercial or otherwise.  You just cant give them away or resell them.  I do assume you can give away a product made using the sounds, just not the sounds themselves.  All told, it’s a pretty liberal license.  So, are you stuck using the sound fx in FMod only?

Can I use sounds in my library with other tools or game engines?

Yes. The sounds are yours to use anyway you like.



I have to say this is actually a pretty impressive development, especially for indie developers who often don’t have access to quality sound engineers.  You can learn more (but not much more) on the website.


EDIT – Added a video of in action available here and embedded below.


GameDev News

7. March 2016


It’s not very often I am surprised by the existence of a previously unknown to me 3D application, as I tend to pay attention to these things.  It’s even rarer that such an application is free, as I am a huge fan of free tools.  It’s almost a blue moon scenario when its TWO applications we are talking about!  Well, that’s exactly what just happened, I learned of the existence of two, completely free, 3D modeling applications and I figured I would share them here.  Both apps are very different in scope and what they are trying to accomplish.  Both are also fairly young in their development cycle, so expect crashes and unexpected behavior from either application.



Dilay is probably the easier of the two applications to explain, so I’m going to start with it.  Basically, Dilay is an open source sculpting application such as zBrush or Pixologic.  As the later is no longer being developed and the first one is quite expensive, this is without a doubt a good thing.  Of course, Blender has sculpting features, but there are certainly flaws in it’s implementations.

The interface in Dilay is extremely straight forward.  You essentially work in one of two modes, sculpting and sketching.  Here is the sculpting interface in action:



If you’ve used zBrush/Sculptris/3D Paint/Mudbox at this point, you have a pretty good idea what to expect.  Generally you start with a simple mesh like a sphere and then sculpt as if working with virtual clay.  The sculpting can easily be mirrored across the center axis for symmetric objects.  The tools are pretty straight forward, you can carve, crease, grab, drag, flatten, smooth and pinch your object into the desired shape.  Nicely, you can also reduce, which enables you to dynamically reduce the polygon count of the mesh you are creating.

The other mode of operation is Sketching.  Essentially you shape your base model using a series of spheres.  Somewhat confusingly you need to delete your sculpt before you can sculpt.  Now it’s mostly a matter of painting a series of spheres that will compose your base mesh.



When you are done, simply click Convert Sketch, and it will be ready for editing in the sculpt interface.

When you are done, objects can be saved as obj files, a format that is supported in pretty much every single 3D application created in the last decade.  There are some glitches, I experienced a couple of crashes (for example, don’t enable wireframe!), but it is certainly a usable tool at this stage.  Dilay is open source and released under the GPL license.



Polybrush is a much harder application to explain.  I think the easiest description is, it’s a 3D sketch modeler.  The entire idea is to create 3D models quickly using a combination of sketching, user generated brushes and symmetry.  The results are actually pretty astonishing.  The application is more stable and complete than Dilay but the interface is also extremely obtuse and will require a much steeper learning curve.



Here you either create your own 3D volume brush or use one of the included brushes, then either paint on the construction plane, or one another existing object.  Brushes can in turn be applied to the surface of an existing model, giving you rapid sculpting abilities with dynamic brushes.  You can also work symmetrically across a number of different axis.

Like Dilay, Polybrush also exports in OBJ format.  The exe weighs in at a paltry 4mb with the included brushes and at 2mb without.  It’s also remarkably fast, I made some fairly complicated scenes while running on my integrated Intel GPU and never experienced a slowdown.  The application is quite robust and vast, offering layers, 2D and 3D sketching, 3D primitives, the ability to define your own brushes and much more.  It’s a cool application once you get past the somewhat confusing interface.  It does however have a community behind it, so getting support is a heck of a lot easier than Dilay.  Polybrush is closed source software.


I will actually be posting quick videos showing both applications in action shortly.  Both are small downloads and completely free, so if you are in the market for a modeling or sculpting application, I recommend you check both of them out.


EDIT – A video of Dilay in action is now available.

Art ,

7. March 2016


MaxPlay is an upcoming game engine that is focused on cloud based collaboration.  So far they have been running mostly in stealth mode with very little information available.  Today they announced several of the partnered technologies that will be integrated into the engine.  Those technologies include EMotion FX (an animation engine),  FMOD (advanced audio), Popcorn FX (real time particle systems) and PhysX (physics engine).   We are of course still missing critical information such as platforms supported and of course, price!

More details from the announcement:

This week we are proud to announce our initial set of premium technology partners.

MysticGD has been evolving the industry-leading animation engine, EMotion FX for years. They’ve not just refactored, but completely rebuilt their system to better leverage hardware on more than one occasion. Don’t believe me, check out theirvideo of 3000 animated characters. To go with that performance, they’ve built an accessible interface and debugger that will make all aspiring Walts as happy as a mouse on a steamboat. And did I mention that every single bone and blend is addressable procedurally?

If you’re not already familiar with FMOD Studios, it’s pretty simple: imagine an intuitive audio system that lets you mix live in-game, has the best debugging tools, is performant enough to never have you wondering “should I trim the audio?,” and allows you to work at the speed of sound (get it?).

Persistant Studio’s highly performant particle system, PopcornFx lets you harness the magic like a true wizard.  PopcornFx is a full solution for all of your visual effects needs with a dedicated effects editor and a multiplatform runtime built on a highly parallel stream processing architecture, which is at the core of its high performance and flexibility. Like our MaxCore™ architecture, it effortlessly threads across multiple cores with minimal data contention.  

And then there’s nVidia's PhysX. For over two decades, nVidia has been the industry’s leader in graphics rendering and middleware that takes games to new heights.  Their PhysX real-time physics engine is used by the majority of today’s games, which means you’ve definitely seen it’s fully multi-threaded, hardware-accelerated action.  Just have a look at this reel. ‘Nuff said.

At the end of the day, we’re fans; checking out each other’s tech and figuring out how we can collaborate to make the best possible game development suite. Each of these systems is incredible by itself, and when integrated into our GDS and high performance MaxCore™ runtime, richer and more immersive worlds are now at developers’ fingertips.

GameDev News

5. March 2016


It’s been a while since the Blender 2.76 was released, but Blender 2.77 is getting closer with today’s release of Blender 2.77 RC2.  This released doesn’t pack a ton of new features but what’s in there is certainly useful.  You can read the full release notes here.

Major features of this release include:

  • Blenders Cycles improvements (SSS, Performance, Smoke/Fire on GPU, Custom Bake Passes)
  • UI Improvements including drag and drop onto file dialogs
  • Boolean operators in edit mesh mode
  • Automatic UV on object creation
  • Cubemaps in 3D viewport and game engine support
  • Massive Grease Pencil improvements including brush sculpting and improved keyframe copying support


I created a video showcasing some of the features available here or embedded below.

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